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The complicated African life of wax print

Wax print is beloved across the continent, even as its manufacturing history crosses Indonesia, Europe and Africa.

Editorial illustration for The complicated African life of wax print
Na Wetin Dey Happen editorial illustration — not a documentary photograph
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What many Nigerians call Ankara belongs to a transcontinental history of industrial wax printing. African consumers and traders made the cloth their own, assigning names, meanings and local uses to changing designs.

Today it appears in everyday wear, couture, uniforms and home design. A professional fashion conversation should celebrate that creativity while also asking where cloth is manufactured and who benefits from the supply chain.

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Culture & Screen Desk

The Culture & Screen Desk reports African film, food, dress and living traditions with attention to makers, local meaning, labour and change.

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